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He'd have his "Deadwood" DVDs and they'd watch them in the lounge. There wasn't anybody on that set who wasn't wonderful.
But if you had that degree in comparative literature, you could get all of the allusions and stuff that are buried in it. I would go back to "Deadwood" in a heartbeat." data-reactid="300"Geri Jewell: Oh, are you kidding?
The fact that he was so together and wore a tie and a cravat, it changed, it opened a whole other [area]... I would wager that if, by some miracle, something were to happen, everybody would somehow be able to be corralled for the purpose of [a reunion]." data-reactid="311"Robin Weigert: I would love to.
Because of course I could play that; it was stupid fear. David Milch, who created it and who I love dearly, he still wants to do it. I was just at a baby shower for Maggie Siff from "Sons of Anarchy." Dayton Callie and I were talking.
My best friend growing up was a truck driver, and it was big in truck stops.
You just wanted to be there because something special was happening. You just wanted to be there because something special was happening. I think everything's an ensemble piece, whatever anyone else says.
There's a lot of television being done now that I think ramps directly from that, in terms of that moral complexity, the fact that people and the choices [they] make [are] complicated. They never have been, despite the fact that we once tried to present things in that way. It was American Western Shakespeare, what he created, in terms of the sheer emotional size of the life.
There was so much nuance to life therein and to the complexities of the morality of that place, or the lack thereof. There's stuff that's being done now on American television that has benefited greatly from the ground that was broken by Milch and company on that show. Earl Brown: It still happens, not as much to a degree now that I'm clean-shaven with short hair, but people stopping, and people that would stop you would want to talk about the show, or would have specific questions about the show.
Keith Carradine: What Milch did there, and what everyone involved did there, will stand for years as something that's really extraordinary.
It was American Western Shakespeare, what he created, in terms of the sheer emotional size of the life.
it's the television equivalent of "Huck Finn," the great American novel.